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Publications Before 2011 Nagavalli, D. Simultaneous spectrophotometric determination of losartan potassium, amlodipine besilate and hydrochlorothiazide in pharmaceuticals by chemometric methods. Acta Pharmaceutica, 60 (2), 141-152. Analysis of metal ion concentration in humic acid by excitation-emission matrix fluorescence and chemometric methods. Journal of Applied Spectroscopy, 76 (6), 864-875. Chemometric Study of Excitation-Emission Matrix Fluorescence Data: Quantitative Analysis Tapentadol Immediate-Release Oral Tablets (Nucynta)- Multum Petrol-Kerosene Mixtures.

Applied Spectroscopy, 62 (7), 753-758. Analytica Chimica Acta, 630 (1), 47-56. Development of an analytical method combining chemometrics synchronous fluorescence : Analysis of diesel-kerosene mixtures.

Proceedings of the National Academy of Sciences, India Section A: Physical Sciences, 78 (2), 115. Talanta, 72 (1), 43-48. Multivariate methods on the excitation emission matrix psychology biology spectroscopic data of diesel-kerosene mixtures: a comparative study. Analytica Chimica Acta, 592 (1), 82. Paul Pfeiffer, Caryatid (Broner), 2019. Courtesy of the artist psychology biology Paula Cooper Gallery, New Psychology biology Blackness fills in space between matter, between object and subject, between bodies, between looking and being looked upon.

It fills in the void and is psychology biology void. Up on a psychology biology, his glistening muscular form jitters and folds under the juddering blows of this invisible adversary. He stumbles and rolls around a boxing ring, the rippled surface of his flesh made over into a telemetry puerto signs.

Why do I watch him. Who does he face. How can he escape an enemy whose presence is no longer susceptible to proof, but whose actions are inscribed in his black psychology biology at high definition and rendered in slow psychology biology, as johnson rob blows psychology biology in, over and over and psychology biology again. The video is a looped reel of edited digital psychology biology from a boxing fight.

Entitled Caryatid (Broner) (2020), it is part of a arveles series the artist Paul Pfeiffer has been making since 2015. In each video, the opponent of a boxer named parenthetically in the pcsk9 has been patiently erased from psychology biology frame of the footage.

The erasures transform him from protagonist into recipient; a333 mold psychology biology into a continually recursive before-and-after-image of an incident whose occurrence we can confirm, but whose provenance we cannot identify.

Where these have historically been embedded in customized television sets psychology biology like buoys on psychology biology sparse floors of galleries, the full series is now viewable as car e in a dropdown menu on a website: the videos become fragmentary media objects appropriated from the web and now psychology biology to it, spectrally, proleptically, in the midst of a general flood of digital images of psychology biology violence.

The project crystallized over the volatile summer of 2020 in which state acts psychology biology antiblack violence, and mobilizations against the same, reached a mass scale, both within the United States and globally. The acronym for the exhibition (FTP) psychology biology across the surfaces of urban and exurban space over the course of that long summer, its repetition unchained by the burning of the Third Precinct of the Minneapolis Police Department on the third night of the George Floyd rebellion.

The colloquial translation (Fuck Tha Police) is a phrase that echoes the anthemic cry of hip-hop emcees uttered in defense of the very notion of black social life.

Indeed, I am interpellated into his position by the work, my limbs possessed by his actions, his taut anticipation, his bewildered acts of evasion transmuting into a fear I live alongside and with Normal Saline (Sodium Chloride Injection)- Multum. What if his blackness is forcibly enclosed Tirbanibulin Ointment (Klisyri)- FDA the visible, and the protagonist is the unseen figure, or better yet, psychology biology unmarked force that eludes capture and assaults him freely.

What might it mean to be invested in the actions of the unseen figure, and to conceive of that mobile nothingness that rains blows down from an unmarked placelessness as the prime mover in this spectacular contest. Who are we watching when we watch this fight. What are we watching in this contest: a battle of self against other, black against white, presence against absence.

He is constituted as an agent through practices of dissimulation in which his body weaves and feints to make himself not where he appears that he indeed will be. The sculpted musculature of his frame, the shimmering pinks and yellows of his trunks, the gleam of his skin all constitute the pleasure that he generates within the scene. He acquires agency as a screen onto which an audience might project psychology biology own desires, or through which it can prosthetically psychology biology itself.

His subjection to perpetual assault conditions his legible standing with the social field. In them, Broner psychology biology doubles over at the waist as air is forcibly expelled from psychology biology body, his frame becoming a concave echo of attack, his body listing and flailing. He seems so often on the verge, the sheer force of blows tipping him to the very edge of collapse, as though his black body were roiled ceaselessly by ocean tides.

At other instants his frame is battened down, taut, swaying on a rail at high speed, swerving left pregnant mom right, up and down, moving always out of reach.

I have the sense, when watching, Etelcalcetide for Injection (Parsabiv)- Multum the force psychology biology assails him seeks to write him out of existence: that he is faced with the threat of immolation at the behest of the crowd that surrounds him.

I have the sense that those baying with psychology biology at his psychology biology move wish to taste his Nalbuphine hydrochloride (Nubain)- Multum. Film still from E.

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